tristine yin | sonic alchemist

The following cues were originally scored by original score by Ramin Djawadi and Hans Zimmer respectively; these are my personal studies and interpretations of opening title theme and underscore.

Served as Lead Score Coordinator for the HMMA-nominated documentary October 8.

Stepping into the production at the initial 10-hour spotting session with zero advanced briefing, training, or warning regarding what the project's complex workflow would demand, Tristine immediately assumed on-site management of the score production workflow.

Introduced to the creative stakeholders upon arrival as the technical intern, she rapidly self-calibrated to the unanticipated technical parameters in real time. 

She immediately scaled her operational capacity to meet the production's true demands, executing full score coordination, high-level technical assistance, and continuous, on-call editing to secure the project's milestones across an intense six-week deployment.

Across five different picture cuts, she stabilized a high-velocity post-production music pipeline under unbriefed workflow variables. 

Meticulously updating spotting notes, managing temp track revisions, and bridging the collective vision of the creative stakeholders into one cohesive creative direction, she delivered total technical precision throughout the entire post-production cycle from spotting session to live orchestration.

Her performance under pressure was recognized pre-release with a formal, early IMDb post-production and on-screen credit. 

As the Lead Score Coordinator, Tristine successfully managed the critical feedback loops and post-production pipeline that shaped the overall score and final musical direction for this HMMA-nominated project.